Like spending two hours with a six year old who has just learned a new naughty word.

~ Jennie Kermode -

Like spending two hours with a six year old who has just learned a new naughty word.

~ Jennie Kermode -

Emphasising texture over tension, Undertow plays like a mud-splattered Hansel and Gretel.

~ The Exile -

Emphasising texture over tension, Undertow plays like a mud-splattered Hansel and Gretel.

~ The Exile -

The film has grit as if volcanic dust had scorched its rose tinted glasses

~ Angus Wolfe Murray -

The film has grit as if volcanic dust had scorched its rose tinted glasses

~ Angus Wolfe Murray -

The end result is a kind of funny/kind of sad character study that asks questions about our relationships with others and our environment.

~ Amber Wilkinson -

The end result is a kind of funny/kind of sad character study that asks questions about our relationships with others and our environment.

~ Amber Wilkinson -

What you expect from a bunch of stoners, but done well enough so you won't care.

~ Scott Macdonald -

What you expect from a bunch of stoners, but done well enough so you won't care.

~ Scott Macdonald -

Logan's writing fails to match Pacino's restraint, while Green's direction seems - like his central character - to be filled with a longing for more, yet being held back from going there.

~ Amber Wilkinson -

Logan's writing fails to match Pacino's restraint, while Green's direction seems - like his central character - to be filled with a longing for more, yet being held back from going there.

~ Amber Wilkinson -

Cage takes commanding ownership of the somewhat familiar material and milieu.

~ Richard Mowe -

Cage takes commanding ownership of the somewhat familiar material and milieu.

~ Richard Mowe -

There is an exercise in nostalgia from the fonts in the credits that seem serif-perfect to the liberal reapplication of Carpenter's original score.

~ Andrew Robertson -

There is an exercise in nostalgia from the fonts in the credits that seem serif-perfect to the liberal reapplication of Carpenter's original score.

~ Andrew Robertson -

This is a film that is made like a documentary, intentionally spontaneous and unformed.

~ Angus Wolfe Murray -

This is a film that is made like a documentary, intentionally spontaneous and unformed.

~ Angus Wolfe Murray -

Green's script is filled with understanding and honest reflection.

~ Angus Wolfe Murray -

Green's script is filled with understanding and honest reflection.

~ Angus Wolfe Murray -